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William Bayer (pronounced “byer”) is an American novelist, the author of twenty-one books including The New York Times best-sellers Switch and Pattern Crimes.

Bayer has written a series of novels featuring fictional New York Police Department lieutenant Frank Janek. He has also written adaptions of his novels for television, and written for other TV shows. Switch was the source for seven television movies, including two four-hour mini-series. In all of them the main character, NYPD Detective Frank Janek, was played by the actor . All seven movies were broadcast nationally by in prime time.

Bayer's books have been translated into , , , , Japanese, and nine other languages. He has written two novels under the pseudonym David Hunt, later republished in ebook editions under his own name. He wrote and directed the 1971 feature film Mississippi Summer which won the Best First Feature Award (the "") at the 1970 Chicago International Film Festival.


Personal life
Bayer is the son of attorney Leo G. Bayer and dramatist Eleanor Rosenfeld Bayer, later known as the screenwriter . He describes his family background as "secular Jewish" and identifies as such. During the 1940s his parents wrote and published four mysteries using the pen name "Oliver Weld Bayer." They also wrote a children's book, Dirty Hands Across The Sea, edited a non-fiction anthology, Cleveland Murders, and co-wrote a play Third Best Sport which was produced on Broadway.

Bayer attended the Sidwell Friends School in Washington, D.C.; in Lyndhurst, Ohio, and graduated from Phillips Exeter Academy. He graduated from , Cambridge, Massachusetts and then served as an officer with the United States Information Agency for six years. He has been a grantee of the American Film Institute and of the National Endowment for the Arts.

He is married to cookbook author , and has lived with her in , Morocco; New York City, Martha's Vineyard; and in Newtown, Connecticut. They moved to and Sonoma, California in 1994. As of September, 2021 they reside in the in New York State.


Critical comments
Of Bayer's novel The Magician's Tale, wrote in The New York Times: "A strange seductive story as eerie as a midnight walk in the fog. Bayer starts the fog machine by introducing us to the bleak world that a San Francisco photographer named Kay Farrow sees when she looks out from eyes that are completely colorblind. Her nocturnal prowls through the Tenderloin district take on a terrible purpose after the bizarre murder of a handsome street hustler who was her favorite model and friend. The voice of the storyteller grows more intimate, more mesmerizing, once the narrative begins to explore the shadowy depths of the victim's past. But it is Kay's extraordinary vision that arrests us; with the starkness of a reverse negative, it shows us light and dark, truth and deception, reality and illusion, even good and evil in ways we never imagined."

Of Bayer's novel Pattern Crimes, wrote in The Washington Post: "There is an electricity to Bayer's writing — rich design, crackling fabric — that sets it apart from the usual competent thriller. Bayer is a bona fide novelist, you first think to yourself, but it is really the combination of the two, formula writer and writer-writer (not unlike ) that puts Mr. Bayer in a special niche." Washington Post, May 17, 1987 Tom Dowling, reviewing Pattern Crimes in The San Francisco Examiner wrote: "Bayer has got the real stuff: a pounding narrative line; real people you can identify with; dialogue that snaps with authority even as it advances the exposition; a riveting sense of locale. Bayer is the new king of the crime fiction heap. At a minimum he has written one unputdownable book." San Francisco Examiner, June 26, 1987

(author of Schindler's List) wrote of Switch: "This is a novel in which the grit and madness of New York are palpable. As well as engrossing the reader utterly, it does high honor to the grand tradition of the American psychological thriller, and despite the riveting nature of its central act of horror, it also traces an exhilarating love affair between two bloodied but triumphantly humane survivors of the city's attrition."Book Jacket: Switch by William Bayer

, reviewing Tangier in The Washington Post: "The city is the main character of this intricate novel in which East and West meet convulsively and with mutual puzzlement. William Bayer keeps scrupulously the narrative promises he has made and implied, the strands woven so cleverly and in such complex patterns, dyed with a strong influence of atmosphere, that one proceeds willingly, even hastily, through the close-packed pages. As the pages turn and evidence accumulates, it's hard to avoid the conclusion that what we have on our hands is the work of a moralist. He is writing about sex, yes, and colorful enigmatic foreigners, yes, and Islamic (specifically Moroccan) folkways, yes – but beneath it all he is writing about colonialism and the violence implicit therein. Bayer conceals what he is up to with considerable skill until the reader is firmly hooked and it is too late to back out." The Washington Post, March 31, 1978 Ben Pleasants, reviewing Tangier in The Los Angeles Times, wrote: "The graceful prose is as dazzling as the white washed city in full sun." The Los Angeles Times, October 7., 1978

Author T. Jefferson Parker wrote: " The Dream of the Broken Horses is a hypnotic blend of suspense, mystery and revelation. Erotically charged and poetically rendered, it worked its way straight into my own dreams. It's great to read a smart, sexy thriller and this is one I recommend."Book Jacket: The Dream of the Broken Horses


Awards
His novel Peregrine, the first novel to feature Janek, won the 1982 Mystery Writers of America for best novel. The French edition of The Dream Of The Broken Horses was awarded the 2005 Prix Mystère de la critique for best foreign crime novel as was the French edition of Switch. Bayer received the 1994 Prix Calibre 38 for the French edition of Mirror Maze, and the 1998 Lambda Literary Award for best mystery for The Magician's Tale. In 2020, his novel The Murals was short-listed for The International Association Of Crimewriters/North America, Dashiell for “literary excellence in crime writing.”


Style and themes
Bayer's novels fall into the category of psychological crime fiction, and several have been described as "neo-noir." Kirkus Reviews, April 1, 1989 His books are highly regarded for their strong atmospherics and sense of place (Tangier, Jerusalem, Buenos Aires, Manhattan and San Francisco, with The Magician's Tale and Trick of Light both set entirely in San Francisco.).Maggy Simony, The Traveler's Reading Guide (New York, 1987) Starting with Blind Side, and then more consistently with The Magician's Tale and the books that followed, he shifted from third-person narration to first-person narrators— some male, others female, ranging in age from 18 to 50. But despite this shift in narrative strategy, similar motifs and themes appear in many of his books: troubled psychoanalysts; photographs, photography and photographers; psycho-eroticism; obsessive labyrinthine quests; relationships defined by disparities of power; art and art-making; and antagonists the seeds of whose villainy are traced back by detectives (i.e. Janek) to Bayer's actual hometown, Cleveland.Rory O'Connor: "Bill Bayer's Ghosts: The Mystery Writer Whose Killers Are From Cleveland," Cleveland Magazine, May 1987.


Bibliography

Frank Janek novels
  • Peregrine, St. Martins Press], 1981, (1982 winner)
  • Switch, Linden Press/Simon & Schuster), 1984,
  • Wallflower, Villard 1991,
  • Mirror Maze, Villard 1994,


Frank Janek television adaptations
  • Doubletake (1985, two-episode miniseries for CBS, adapted from Switch)
  • Internal Affairs (1988, TV movie for CBS)
  • Murder in Black and White (1990, TV movie for CBS)
  • Murder Times Seven (1990, TV movie for CBS)
  • Terror on Track 9 (1992, TV movie for CBS)
  • The Forget-Me-Not Murders (1994, TV movie for CBS, adapted from Wallflower)
  • The Silent Betrayal (1994, TV movie for CBS)


Standalone novels
  • In Search of a Hero, The World Publishing Company, 1962
  • Stardust, Delacorte Press, 1974
  • Visions of Isabelle, Delacorte Press, 1975,
  • Tangier, E. P. Dutton, 1978,
  • Punish Me With Kisses, Congdon & Lattes, 1981,
  • Pattern Crimes, Villard 1987,
  • Blind Side, Villard 1989,
  • Tarot, (France), 2001,
  • The Magician's Tale, G. P. Putnam's Sons, 1997, (1998 Lambda Literary Awards winner). (Originally published under the pen name "David Hunt.")
  • Trick of Light, G. P. Putnam's Sons, 1998, (Originally published under the pen name "David Hunt")
  • The Dream of the Broken Horses, Atria (imprint of Simon & Schuster,) 2002,
  • City of Knives, Crossroad Press, 2013,
  • Hiding In The Weave, Crossroad Press, 2014,
  • The Luzern Photograph, Severn House, 2015,
  • The Murals, Severn House, 2019,


Nonfiction
  • Breaking Through, Selling Out, Dropping Dead & Other Notes On Filmmaking, Macmillan, 1971, revised 1989,
  • The Great Movies, a Ridge Press Book, Grosset & Dunlap, 1973,


External links

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